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Rampage vs. Wanderlei Silva Fight Three: Details on Exactly What Went Wrong For Wanderlei Silva and Precisely what You Can Learn From It

Wednesday, March 3rd, 2010

I forecasted completely wrong in my preceding assessment of the match up. Kind of. I did declare that Silva would definitely own the mid range of punching. He failed to make it happen, yet somehow Quinton Jackson did.

If you have read my prior article on Silva vs. Rampage Jackson then you'll take into account Quinton "Rampage" Jackson has short strikes and is a mid range fighter. (Meaning, that Rampage Jackson likes to be in a sector in which most kicks are useless because they are too close and could possibly be muffled as a result of proximity as well as in a sector that might be too close for some fully extended jabs and crosses). He held the mid range this particular competition (it only occurred one time, and Quinton Jackson made most of it). While Wanderlei was throwing like a madman (which he made a technical error during, more on this in the future) Jackson used a short left hook and knocked Silva out.

Let us discuss the issues that Wanderlei had in this struggle:

* Comparable to his Chuck Liddell battle, he sought to box Quinton Jackson way too much (let Silva be who he is, a Kick Boxing MMA star, therefore you would have seen a different outcome).

* He was too pensive (he needed the Thai clinch, but he was too content to exchange punches with Quinton)

* The serious technical error The Axe Murderer made was dropping his fists to throw his hand techniques.

That is certainly where Jackson jammed him while using hook, Wanderlei could not elevate his hands up to muffle or hinder the hit, and it also was focused beautifully for the knock out (a Frank Shamrock principal which I show my students named the "button theory" clarifies this).

So what Wanderlei should perform, when he gets back is:

1. Don't listen to the teachers who tell him that he needs too box the other fighter (you're not a boxer you are a Thai Kick Boxing specialist)

2. Keep his fists up while throwing his aggressive leather, and cease being too pensive.

Simply speaking, he needs to be old The Axe Murderer, and be the hot-headed killer he always has been. Wanderlei must be Wanderlei Silva and give up striving to be a boxer. If The Axe Murderer can do this, then he is a force to be reckoned with.

Scott Buendia instructs Jeet Kune Do and MMA under fighting legends Paul Vunak and Frank Shamrock in Hillsboro, in the 97124. Visit the Uber Article Directory to get a totally unique version of this article for reprint.

Exactly Why Your Prime Style Could Be Keeping Your Current MMA Job Back

Wednesday, March 3rd, 2010

My close friend Kyle Bruce observed something unusual when we spoke of a shared friend's battle. "I witnessed a lot of his fights, and when he gets tense, he tries for a takedown every time."

It made me really think something. If you get in danger, you'll generally go back to your primary art (this means a wrestler will try for a double leg takedown, a Thai kick boxer will kick, and also a Jiu-jitsu chap will draw guard.

Our associate in question was in reality winning the struggle up until he attempted a double leg takedown. He was unbeatable on his feet, and had just grabbed the Plumb position and was kneeing the other fighter to submission. He out of the blue got concerned and slipped for his takedown and got caught in submission.

So what is actually your main martial art? You will likely head for it when your in trouble (i.e. your afraid or you are distressed). For this reason you observe a wide number of martial artists keep endeavoring to pull a takedown from nothing when getting beat up. It is behavioral instinct, and it's not actually detrimental, it just is dependent upon the situation.

So prior to deciding to go into any cage, you need to think of what your principal art is and what you could return to in case there is an urgent situation. You must consider all of the possibilities in a battle and mostly you need to know yourself so that you can keep yourself out of tough times, if you shoot for the single leg takedown when you are getting beat up and the other martial artist has jammed your double leg all night... That might not be the most beneficial method, but at least you possibly can prepare another back up method instead of, "oh geez, I'm getting pummeled, I better try the takedown."

So, understand your identity, what your main martial art is, and make a great back up plan of action to help preserve you inside the bad instances. That way, you are not trapped using a bad strategy.

Scott Buendia is a professional trainer of Jeet Kune do, Filipino martial arts, and MMA under Paul Vunak, and Frank Shamrock. Get a totally unique version of this article from our article submission service

The Reason Bruce Lee Understood a Single Style Does Not Match Up With All

Wednesday, February 24th, 2010

I had yet another conversation with my JKD (Jeet Kune Do) classical co-worker and we spoke of his past experiences sparring as part of his old school. He noted just how they used to do a "round robin" sparring session where one person would remain in and other folks would come in fresh every minute (this is certainly extremely popular in MMA or MMA training at this time by the way).

Here's what he stated, "Yeah, a single style can't fit all due to the fact you will fight left handers, right handers, short individuals, taller folks, and even if two people are the same in terms of height and weight, they approach battling totally distinctive!" (To some extent paraphrased by the way.) This is a very true assertion, no art, or style will probably accommodate every fighter you encounter, it is possible to change your style but even so you're going to have to make modifications. This is exactly why Bruce Lee was such a big fan of becoming like water.

You need to adjust to every unique problem, because you don't know what it is gonna be like. Are you going to have to be a ground fighter to win, a stand up fighter, a stick fighter, a knife fighter, a gun expert? What is actually it gonna be? The competence to transfer between the styles is what's essential. This is exactly why mixed martial arts are so intriguing to most of the people. Because it is not like boxing where, if you clinch, then you need to separate. The fight keeps going. Or kickboxing where it is the same, you are able to kick and punch, but you have to separate when you clinch again. Or even Jiu-Jitsu or grappling tournaments, you can not punch. If you meet someone in the street it could be several of these elements, plus that person's associates.

Last night I was watching Paul Vunak's Sierra Summit tape and he said this, "There are only a small number of individuals who can change from range to range to range (kickboxing, punching, clinch, ground, and weapons for instance). If you can do that, you'll likely have a very good possibility of surviving a genuine fight." (Paraphrased again).

Are you prepared to roll through all possibilities ranges of the fight? If you aren't then you ought to be preparing to do that. It's essential to search for training in all ranges of a fight, such as the ground, stand up, clinch, and weapons (if you are in a street fight). In this way, you give yourself the best possibility of making it through.

Scott Buendia instructs Jeet Kune Do and Filipino Martial Arts under Paul Vunak in Hillsboro, Portland, Beaverton, and Tigard, Oregon. Grab a totally unique version of this article from the Uber Article Directory