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The Attack of the Five Incredibly Deadly Kung Fu Styles

Thursday, February 10th, 2011

I watch Kung Fu Movies, so a title like Five Incredibly Deadly Kung Fu Styles is right up my alley. When you speak of these arts, however, you aren't talking movies. You are talking about incredibly potent disciplines that are the most dangerous martial arts in the world.

These are specific body disciplines which steel the body and make sharp the mind. People who engage in these arts have gone beyond the flesh, and are describing a world towards which mankind hurries with appreciation. Let's consider the five deadly Kung Fu styles.

No particular order, let's start off with Shaolin Gung Fu. Inspired by Bodhidharma, it has become the single, most powerful influence in all the martial arts world. Talk Shaolin and you are talking about the absolute protection of the iron body through Golden Bell Training, and the steel fingers that eventually result in Dim Mak (death touch).

Many styles claim ancestry in the Shaolin Temple, and Wing Chun Gung Fu has a definite right to the claim. Sometimes called a 'girly art' because it was founded by a 'Lady Monk,' this art shows that being sensitive to an attack allows one to lay waste to an opponent. Learn the Sticky Hands (Chi Sau) drill and you can see what is coming long before an opponent offers the attack.

Another sensitive art, definitely not a girly art, is the Praying Mantis (Tang Lang Ch'uan). Again, the arms intertwine, but the attack and defense is delivered from a more Shaolin based stance. Shaolin Powerful with Wing Chun sensitivity, that is the secret of the Praying Mantis Style.

Stepping outside the Shaolin influence, one comes to Tai Chi Chuan (Taiji Quan), which is a Wudan based art. This art practices whole body sensitivity, and is considered by many to be the peak of martial arts expression in the world. By 'emptying' the body one enables the body to generate massive amounts of 'Chi Energy,' and this energy is far beyond simple muscle and sinew.

A more rare form of Wudan Mountain Art is the style known as Pa Kua Chang (Baguazhang). This is a circular art designed to undulate and slither, and leave an attacker in a state of confusion. As in Tai Chi, Chi Energy are generated, but by the unique training method called 'Walking the Circle.'

Five arts, each of which is totally deadly, has its lineage, and has been proven over the millennium. And, there are deviations and variations which are subtle and powerful in their own right. Indeed, to know even one of the Five Incredibly Deadly Kung Fu Styles is to change the way you think, and many people specialize in more than one, putting the arts together in a form of self expression far beyond the mere mortal.

Begin learning the Five Deadly Kung Fu Styles right now! Mouse over to Learn Shaolin Kung Fu!

The Real and Mystical Reason Why I Didn’t choose Shaolin Kung Fu for Matrixing!

Sunday, November 29th, 2009

Matrixing, to give you the definition right from the start, is the analysis and handling of force and flow. Every object, every particle in this universe has a direction, and everything in the universe has lots of potentials for collision. Thus, the study of Matrixing becomes the single most important thing one can learn if one is going to understand things like Shaolin kung fu.

Now, to set this article up in the proper manner, let me say that the martial arts are nothing more than random strings of data. This is like somebody memorizing a dozen pieces on the clarinet, and thinking he is the next Pete Fountain. Obviously, one has to do more than memorize a few pieces, one must find the structure of his art, and how to arrange that art before he can lay claim to being a master artist.

So, let us consider this thing called Shaolin. Shaolin has a few thousand years of history, and every master and his sister has made their contributions, and thus the logic of the art has become mixed and impenetrable. There is a vast variety of these strings of random data, you see, and there single arrangement of principles with which to make sense out of it.

If one studies Shaolin kung fu like Choy Li Fut or Hung Gar, one thinks that kung fu is deep stance, windmilling arms, and a collidoscope of concepts which pop out at you. One thinks that one must beat up students right up to the head abbot to get promoted, and one must meditate and beat his fists into heated iron pellets to get the real kung fu. The sad fact is that this is a small subset of concepts, and while the true art is touched upon, it is not penetrated.

If one studies Wing Chun, one thinks that he has to stand squarely, achieve balance, and absorb attacks with the antennas of the forearms. Three forms, a wooden dummy, and never the idea that everything is just random strings of data, and not the whole. Thus, Wing Chun is phenomenal, yet it just touches upon the True Art, and never embraces it.

Then, of course, there is the Mantis, if we wish to speak of antenna arms, and circling motions that manipulate an opponent to his destruction, and so on. But, if you look at it, it is almost like Wing Chun and Hung Gar or Choy Li Fut have been combined. Thus, the principles wallow and intermingle and intermarry and interbreed into fresh bastards and the True Art is obscured in a fog of amazing ability and astounding art.

This all said, Matrixing could easily organize Shaolin, in the various forms of Hung Gar or Choy Li Fut or Wing Chun and come to the truth of the true art. But I chose Karate to present the principle of Matrixing, and to expose the world to the concept of logic through analysis and handling. Simply, the history was shorter, the mountain was smaller, the obscuring fog more transparent, and karate was easier to define.

There is a true blessing in my selectio of karate as a matrixng vehicle, however, for if youmatrix karate, you can use that matrixing as a template for Shaolin. All you have to do is plug the pieces of Shaolin into Matrix Karate, and, voila, you have instant true art. Doesn't matter how much fog, who cares how tall the mountain is, it can all be resolved into an easy to learn slices of True Art, and thus open the door to the whole of The True Art.

Al Case has researched martial arts for 4O years. He has written hundreds of articles for the magazines and had his own column in Inside Karate. He is the originator of matrixing Technology. He offers a free ebook on Matrixing at Monster Martial Arts.